Writing beats

Up: beat

Ingermanson says the following1 (note that I am using term beat as a synonym for “motivation-reaction unit” even though there might be (subtle and not-so-subtle) differences):

Show first whatever happens fastest. Most often, this means that you show interior emotion first, followed by various instinctive actions or dialogue, followed by the more rational kinds of action, dialogue, and interior monologue.

Motivation (what Ingermanson and Economy call a “public clip”) consists of action, dialogue, or description.

Reaction (what Ingermanson and Economy call a “private clip”) consists of action, dialogue, interior emotion, monologue.

This originally comes from Swain.2

To do: contrast this to the story grid approach (inciting incident + turning point/progressive complications + crisis: motivation; climax + resolution: reaction).


  1. Randall Ingermanson and Peter Economy, Writing Fiction For Dummies (Hoboken, N.J.: Wiley Publishing, Inc., 2010). ↩︎

  2. Dwight V. Swain, Techniques of the Selling Writer (University of Oklahoma Press, 1981). ↩︎

Note last edited November 2024.
Incoming links: Beat (story unit).