Weeknotes 2023 W48: Ultra-wide failure

November 27​–​December 3, 2023
1100 words

Quick bits:


My ultra-wide display broke. The LG 34WK95U now has a big column of dead pixels off-center right, just over two centimeters wide, with some discolored columns around it as well:

This LG 34WK95U display has given me a ton of trouble. For the money that I paid for it — €1150 — I expected far higher quality:

As is hopefully clear from the problems I listed above, I cannot at all recommend the LG 34WK95U, despite its superficial niceness (ultra-wide with very high DPI at 5120×2160). My experience has been so bad that I’m wary of purchasing any LG products in the future.

What is next? I’ve ordered a replacement: the Dell U3423WE: also ultra-wide, though with a lower resolution (3440×1440). The downgrade in resolution is likely fine; my eyes aren’t good enough to justify sticking with such a high resolution. Besides, it seems that only LG makes these ultra-wide high-DPI screens, and, as I mentioned before, I am avoiding LG now.


Looking at alternative displays and screen resolutions made me realize that macOS is not resolution-independent. Until now, I had assumed it was, and just never looked into how to make use of it.

The only way to zoom in, or make UI elements bigger, is to switch to a different resolution. But most of the resolutions aren’t a good fit for the display, and will end up being blurry, because for sharpness, the selected resolution’s pixels need to map nicely onto the physical pixels.

In macOS’ System Setting, there is the option to change the text size (also called “preferred reading size”), but from my experience, many apps don’t honor that. Apps built with web tech (like Electron) have an advantage here, because zooming web apps is trivial and always works.


Entertainment:


Links:

Tech links:


  1. Week­notes 2023 W47: Closed in ↩︎

  2. Georges Polti, The Thirty-Six Dramatic Situations (Franklin, Ohio: James Knapp Reeve, 1924). ↩︎

  3. A Most Wanted Man, directed by Anton Corbijn, written by Andrew Bovell, John Carré and Stephen Cornwell (Lions Gate Films, Film4, Demarest Films, 2014). ↩︎

  4. Stephen King, The Institute (Scribner, 2019). ↩︎

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